LAMINATE FLOORING FOR DANCE. LAMINATE FLOORING


LAMINATE FLOORING FOR DANCE. STEINBACH FLOORING CANADA.



Laminate Flooring For Dance





laminate flooring for dance






    laminate flooring
  • hard surface flooring with a fibreboard core and melamine wear layer - available in blocks, planks, and squares.

  • Laminate flooring is a multi-layer synthetic flooring product, fused together with a lamination process. Laminate flooring simulates wood (or stone, in some cases) with a photographic applique layer under a clear protective layer.

  • Relatively new to North America, laminates have a dense fiberboard core with a paper pattern layer sealed under high pressure both top and bottom with a plastic-like substance. Sold as planks and panels in wood, stone, tile and other looks.





    dance
  • A particular sequence of steps and movements constituting a particular form of dancing

  • an artistic form of nonverbal communication

  • Steps and movements of this type considered as an activity or art form

  • move in a graceful and rhythmical way; "The young girl danced into the room"

  • a party of people assembled for dancing

  • A series of movements that match the speed and rhythm of a piece of music











Solomon R. Guggenheim Museum interior




Solomon R. Guggenheim Museum interior





Carnegie Hill, Upper East Side, Manhattan, New York City, New York, United States

The interior of the Guggenheim Museum, internationally recognized as among the world's great twentieth-century spaces, is contained within one of New York's most memorable and architecturally important buildings. Located on prestigious Fifth Avenue, the museum is a link in that thoroughfare's highly regarded "Museum Mile." Founded by Solomon R. Guggenheim, it is the best known of the many institutions financed by the philanthropic efforts of the Guggenheim family, whose wealth and subsequent social prominence were derived primarily from its worldwide mining empire. Inspired and led by the painter and art patron Hilla Rebay, Guggenheim supported many avant-garde painters of "non-objective" art by purchasing their works and, in 1937, establishing a foundation to promote art and education in art and the enlightenment of the public.

Rebay eventually convinced him to commission in 1943 America's most prominent architect, Frank Lloyd Wright, to design the museum. It would became in many critics' eyes the crowning achievement of the architect's later career — manifesting his theory of an organic architecture in its inherent unity of building method, appearance, and use-- and Wright himself called the design "My Pantheon." The museum appropriately fulfills his goal of promoting a democratic society through its didactic and inspirational purposes. The museum was erected in 1956-59, its most prominent section taking on the form of a nautilus.

The spiraling cantilevered ramp and spider-web dome of the Main Gallery define a dramatic interior. Unified through ivory-colored walls and ceilings and a circular patterned terrazzo floor, this monumental skylit space is enlivened by the ever-changing quality of light and by the contrast between illumination levels in the central atrium and in the adjacent exhibition alcoves. Joining the peripheral alcoves, illuminated, in part, by ribbons of skylights, the ramp also connects to other exhibition areas: the Grand Gallery and the Thannhauser Wing. Wright's envisioned atrium, with its continuous circulation and sweeping views, and the museum's subterranean auditorium, with its geometrically-derived space and details, survive intact and continue the institution's didactic purpose.

While geometric shapes create the spatial character of this design, they are also used for details such as the lozenge- (or leaf-) shaped fountain, planters, and columns. The surprising spiraling space, with all its associations to the continuous creative force of nature, was made possible through the collaboration of innovative engineers and a resourceful builder, George N. Cohen. Completed under Solomon's nephew Harry F. Guggenheim and museum director James Johnson Sweeney, while New York reigned unchallenged as the world's cultural

capital, the museum immediately became a popular cultural magnet and remains so today. Wright's most visited building, it is that architect's only major commission in New York City.

Description

The loggia and Vestibule

The present bookstore, originally part of the drive-through loggia, has a carpeted floor and white plastered ceiling with recessed light fixtures. The western wall is glazed with "Hope's" window sections and has a brass chair rail; the other walls are plastered and painted beige. None of the details or finishes in this space are original. The museum's vestibule is reached through the revolving doors or the adjacent paired doors; these glazed doors have aluminum frames and vertical brass handles. The circular plan of the vestibule is defined by the perimeter of its low, plastered ceiling, which is pierced by recessed light fixtures. Sets of concentric metal arcs decorate the floor, leaving space for a metal museum seal with the insignia "LET EACH MAN EXERCISE THE ART HE KNOWS. ARISTOPHANES."

The Main Gallery and Adjacent Spaces

Passing through a curved glazed wall with openings at either end and beyond the low ceiling of the vestibule, one enters the multi-story Main Gallery, unified by its speckled beige terrazzo floor embedded with a metal circular pattern, by its ivory-colored plastered walls and ceilings, and by the large glass dame. The continuously spiraling cantilevered ramp widens as it rises.

The ramp, which bulges on the northern side appears to be coved into a lew edge wall. It is anchored at the east by continuous vertical shafts housing services and, to a lesser extent, by twelve equally-spaced concrete ribs (acting as partition walls in the gallery alcoves) which are united at the top into six hair-pin "spokes" of the dome.

The hair-pin "spokes" intersect a central circle at the summit of the dome. Each glazed area is further divided into smaller panes by metal bars.

Throughout the Main Gallery there are standardized features, such as: white elevator doors, surmounted by metal le











project DOMO : master bedroom flooring / 2nd story flooring




project DOMO : master bedroom flooring / 2nd story flooring





as of 4:10pm PT, all the second story floors are done. baseboards/skirting and door moldings are in progress for both upstairs + downstairs. i'm sure i'll post more pics of the completed job tomorrow. they will be back for a good half day at least tomorrow.

i'm floored (mind the pun) how good the baseboards look and pull the room together! and the door molding looks nice and clean too. i will have to paint the doors and moldings once it's installed.

ugh and i thought i was done w/ painting!

but it's pretty isn't it?

*happy dance* :p









laminate flooring for dance







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